About me
Milena Fessmann (Musicsupervisor/Radio-DJ /DJ)
Since 1991 Milena Fessmann has worked as a full-time DJ (1992-1997 Turbine Rosenheim, 2001-2014 Radio Eins After Work Lounge, Trompete/Berlin, European Film Awards 2015, etc.) and has worked for various radio stations currently working for Radio Eins/RBB (since 1997) with her weekly show called “Free Falling”.http://www.radioeins.de/programm/sendungen/free_falling/
In 1989, she founded CINESONG.
She moderates several national and international events and panels such as Reeperbahn-Festival 2014-23, c/o Pop Cologne 2014-203, Soundtrack Cologne 1994-2023, and many more. Milena Fessmann teaches music supervision and copyright clearing at film schools such as DFFB Berlin, KHM, and Filmuni Babelsberg and is an advisory board member of the World Soundtrack Academy.
https://www.worldsoundtrackawards.com/en/academy/advisory-board
She is a member of the European Film Academy.
https://www.imdb.com/name/nm1076538/
She also runs Sugar Town Film production.
Cooperations:
Andreas Vierziger (Music supervisor/Music Curator/Classical Music Consultant)
Music curator and strategist Andreas Vierziger internationally collaborates with project partners in the music industry and beyond, including the Concertgebouw Orchestra Amsterdam, Paris Opera Competition, Camerata Salzburg, Budapest Spring Festival, David Lynch’s Silencio Club in Paris and others. He has been working in more than two dozen countries on four continents. As a music supervisor and consultant he worked for movies and series such as e.g. “Chess Story/Schachnovelle“, “The Space Between the Lines/Gut gegen Nordwind”, “All Quiet in the Western Front/Im Westen nichts Neues”, “The Empress/Die Kaiserin”, theatre (e.g. Vienna Burgtheater) and major fashion shows at Paris, London and Milan Fashion Weeks (e.g. Vivienne Westwood). Andreas lectured at 30+ music universities including Tokyo, Zurich, Stockholm, Bangkok, Copenhagen, Helsinki, and Vienna. He is a regular jury member at numerous international classical music competitions and was recently appointed to join the German Record Critics’ Award jury.